{"id":2208,"date":"2023-06-14T15:47:27","date_gmt":"2023-06-14T18:47:27","guid":{"rendered":"http:\/\/www.55bet-pro.com\/laboratorios\/labart\/?page_id=2208"},"modified":"2024-05-15T17:16:17","modified_gmt":"2024-05-15T20:16:17","slug":"dissertacoes","status":"publish","type":"page","link":"http:\/\/www.55bet-pro.com\/laboratorios\/labart\/dissertacoes","title":{"rendered":"Disserta\u00e7\u00f5es"},"content":{"rendered":"\t\t
Daniel Jaenisch Lopes<\/strong><\/p> O DISPOSITIVO DE MEDIA\u00c7\u00c3O NO FACTORS 7.0: EXPERIMENTA\u00c7\u00d5ES NO AMBIENTE DIGITAL.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t 2020-2022<\/p> Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t Natascha Rosa de Carvalho<\/strong><\/p> PROJETOS CURATORIAIS NA ARTE CONTEMPOR\u00c2NEA: UM ESTUDO SOBRE A BIENALSUR E SUAS ESTRAT\u00c9GIAS EM ARTE E TECNOLOGIA.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t 2018-2020<\/p> Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t Cristina Landerdahl<\/strong><\/p> ARTE DIGITAL NA CONTEMPORANEIDADE: DESAFIOS PARA PRESERVA\u00c7\u00c3O E ARQUIVAMENTO.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t 2017-2019<\/p> Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t Rittiele Quaiatto<\/strong><\/p> DO ESPA\u00c7O EXPOSITIVO \u00c0 MEDIA\u00c7\u00c3O EM ARTE E TECNOLOGIA: ESTUDO DE CASO DO FACTORS.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t 2017-2019<\/p> Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t Raul Dotto Rosa<\/strong><\/p> ESPA\u00c7OS TRANSFORMADOS: A EXPERI\u00caNCIA DA INSTALA\u00c7\u00c3O E O DISPOSITIVO PO\u00c9TICO.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t 2016-2018<\/p> Po\u00e9ticas Visuais<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t Walesca Timen<\/strong><\/p> CORPO-DEVIR: MULTIPLICIDADE DE LINGUAGENS NA PO\u00c9TICA EM FOTOGRAFIA E V\u00cdDEO.\u00a0<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t 2016-2018<\/p> Po\u00e9ticas Visuais<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t Andrea Capssa<\/strong><\/p> CONSIDERA\u00c7\u00d5ES SOBRE AS GALERIAS VIRTUAIS E SUAS RELA\u00c7\u00d5ES COMO O MERCADO DE ARTE.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t 2015-2017<\/p> Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t Giovana Casimiro Graziosi<\/strong><\/p> REALIDADE MISTA E MEIO EXPOSITIVO NA ARTE CONTEMPOR\u00c2NEA: INSITU<>INFLUXU.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t 2015-2017<\/p> Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t Val\u00e9ria Boelter<\/strong><\/p> EXPOGRAFIA NA CONTEMPORANEIDADE: PROPOSTAS EM ARTE E TECNOLOGIA DIGITAL.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t 2015-2017<\/p> Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t Carlos Alberto Donaduzzi<\/strong><\/p> FOTOGRAFIA SUBMERSA: CENAS COTIDIANAS FICCIONAIS.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t 2012-2014<\/p> Po\u00e9ticas Visuais<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t Anelise Witt<\/strong><\/p> GAMEARTE: SUBVERS\u00c3O E DIVERS\u00c3O NA ARTE CONTEMPOR\u00c2NEA.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t 2011-2014<\/p> Po\u00e9ticas Visuais<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t Manoela Freitas Vares<\/strong><\/p> CIBORGUE: UMA CONCEP\u00c7\u00c3O DO CORPO NA ARTE CONTEMPOR\u00c2NEA.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t 2011-2013<\/p> Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t D\u00e9bora Aita Gasparetto<\/strong><\/p> ARTE DIGITAL E CIRCUITO EXPOSITIVO: UM CURTO EM TORNO DO FILE.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t 2010-2012<\/p> Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t Henrique Telles Neto<\/strong><\/p> INTERDISCIPLINARIEDADE EM ARTE, CI\u00caNCIA E TECNOLOGIA: SCIARTS.<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t 2010-2012<\/p> Hist\u00f3ria, Teoria e Cr\u00edtica<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t